
Jonathan Borofsky
In 1927, referring to Proust’s then uncompleted Remembrance of Things Past, E.M. Forster commented: “The book is chaotic, ill-constructed, it has and will have no external shape; and yet it hangs together because it is stitched internally, because it contains rhythms.” The same might be said of JONATHAN BOROFSKY’s recent installation which, although wildly eclectic in its components, and intentionally unruly in its execution, has an emotional coherence and an intellectual vigor reinforced by the repetitive and emphatic properties of rhythm.
Borofsky is both cursed and blessed by facility; he