Robert Hobbs

  • “Kelley Walker: Direct Drive”

    “Direct Drive”—a reference to the motors used in high-speed hard drives—is an apt subtitle for this first US survey of an artist who brought both Pop and appropriation art into the twenty-first century. Technology (digital and analog) serves as Kelley Walker’s subject and informs his processes, which include breaking apart color prints sourced from news images into separate CMYK layers, repurposing silk screens as supports, and cutting up a MacBook Pro to create a sculpture. Less a midcareer retrospective than a showcase for Walker’s continuing exploration of