GODLAND HAS TWO TITLE CARDS: one in Icelandic, the other in Danish. Hlynur Pálmason’s new film exists in the tension between these two languages, which are really two worlds: one wild and unforgiving, the other cramped, rationalistic, “modern.” The film follows Lucas (Elliot Crosset Hove), a Lutheran priest dispatched from Copenhagen to build a church in a remote settlement on the Icelandic coast. It is the nineteenth century, and Iceland is still ruled from abroad, and everything about Lucas sets him at odds with the land to which he has been sent. The priest does not speak Icelandic, and cannot