Samara Davis

  • Claude Wampler, N’a pas un gramme de charisme. (Not an ounce of charisma.), 2013, digital collage.
    interviews January 29, 2013

    Claude Wampler

    Claude Wampler is a New York–based artist who investigates the boundaries of spectatorship in the visual and performing arts. Here, she discusses the impetuses behind her latest work, N’a pas un gramme de charisme., (Not an ounce of charisma.), which she created in collaboration with Amelia Saul, Antonius Wiriadjaja, and John Tremblay. N’a pas un gramme de charisme. will be presented at the Kitchen in New York from January 31 to February 3, 2013.

    I’M A VISUAL ARTIST, but I also work in the field of performance. I always consider myself a visual artist because it is all visual art in the end. I

  • interviews November 07, 2012

    Simone Forti

    Simone Forti has been choreographing movement and sound since the age of twenty-one. Born in 1935, she immigrated to Los Angeles from Florence, Italy, while still young, and moved to San Francisco in 1956. There, she studied with choreographer and movement practitioner Anna Halprin for several years before leaving for New York and later becoming involved with the group that would be called the Judson Dance Theater. In this interview, which is part of’s ongoing commemoration of the fiftieth anniversary of Judson, Forti recalls her transition from Halprin’s studio to Robert Dunn’s

  • Robert Rauschenberg and Deborah Hay at a loft party in New York, 1966. © Bob Adelman/Corbis © Corbis.
    interviews October 31, 2012

    Deborah Hay

    Deborah Hay is a pioneering choreographer in the field of experimental dance and one of the founding members of the Judson Dance Theater. As part of’s commemoration of Judson’s fiftieth anniversary, here Hay describes her work in the 1960s with the Cunningham Dance Company as well as with Judson—a moment that signaled for her both a departure from her formal training and a movement toward what would later become her signature practice. Hay’s new work, Blues, will be performed November 2–4 at MoMA as part of Ralph Lemon’s series Some Sweet Day.

    WHEN I WAS EIGHTEEN, I went to the

  • DD Dorvillier and human future dance corps, Danza Permanente, 2012. Rehearsal view, May 1, 2012. From left: Fabian Barba, Walter Dundervill, Nuno Bizarro. Photo: Thomas Dunn.
    interviews September 25, 2012

    DD Dorvillier

    DD Dorvillier is a choreographer, performer, and teacher. With her company, human future dance corps, she will be presenting a new work titled Danza Permanente on September 26–30 at The Kitchen in New York, copresented with the French Institute Alliance Française’s 2012 Crossing the Line Festival. Here, Dorvillier ruminates on the impetus behind this new work.

    DANZA PERMANENTE is a transposition of Beethoven’s String Quartet in A Minor, Op. 132, into movement for four dancers, each dancer taking the part of an instrument line. I wanted to investigate how music functions in relation to feelingness

  • interviews August 15, 2012

    Elaine Summers

    Elaine Summers was born in 1925 in Perth and was raised in Boston. In 1952 she moved to New York and attended workshops led by Robert Ellis Dunn, a musician for the Merce Cunningham Dance Company. The workshop group later formed the Judson Dance Theater. A choreographer, filmmaker, and pioneer of intermedia performance, Summers is also known for developing the Kinetic Awareness movement practice. On September 6th and 7th her 1976 work Windows in the Kitchen will be presented as part of the American Dance Guild Performance Festival at the Alvin Ailey Citigroup Theater.

    As part of’s

  • interviews July 31, 2012

    Anna Halprin

    Born in 1920 in Illinois, Anna Halprin studied modern dance and later abandoned her training in favor of improvisation and other investigative movement practices. Considered one of the pioneers of postmodern dance, Halprin founded the San Francisco Dancers’ Workshop in 1955, hosting and collaborating with many of the dancers and artists who later founded the Judson Dance Theater. For decades Halprin has been at the forefront of the expressive arts healing movement and continues to teach workshops at the Tamalpa Institute in Marin County, California—an organization she founded with her daughter