Samuel Argyle

  • picks May 17, 2017

    Jerry Blackman

    A nonlinear notion of time—where past and future coincide, cycling in an eternal return—is represented by Jerry Blackman’s forever-unfinished artworks here. Huddled in the middle of the space, archaic-looking disks in gray, blue, and cream indicate a turn toward the past (all works untitled and 2017). These process-based, freestanding sculptures, created with equal parts water and plaster dust, seem prepared to roll away at any moment—a pair of them jump out from the gallery’s walls. The show feels like a dusty, crumbling excavation site. A round, smoky platform grounds the rest of the pieces