Sara Roffino

  • interviews August 25, 2020

    Tiago Gualberto

    Long before Brazilian mining magnate Bernardo Paz put the state of Minas Gerais on the art map with the opening of the Inhotim Center for Contemporary Art in 2006, the area of Brumadinho was known as a center for mineral extraction—mainly iron-ore—and the poverty and environmental destruction such an industry produces. Its splendor, defined by 700 acres of exotic foliage and a massive art collection, has not dispelled Inhotim’s status among many as “a monument to the ubiquity of dirty money in the art market.” Meanwhile, Paz himself has faced extensive allegations of tax evasion and money