Serena Qiu

  • picks February 04, 2019

    Rafael Soldi

    Rafael Soldi’s exhibition “Cargamontón” features selections from two of the artist’s recent series that consider dissonance as a tool of identity formation. Hung across one wall in three rows are twenty-five of the fifty self-portraits Soldi took in a photobooth over the span of two years, which make up the series “Imagined Futures,” 2016–18. Each black-and-white image documents the Seattle-based artist sitting with his eyes shut as he imagines a life he could have lived but, ultimately, will not—a result of his immigrating from Peru. The regularity of the photographs’ format and hanging, and