Simon Critchley

  • Michelangelo Buonarroti, The Torment of Saint Anthony, ca. 1487–88, oil and tempera on wooden panel, 18 1/2 × 13 1/4".

    JUST DO IT?: THE DILEMMA OF ENGAGEMENT

    ONE BRIEF ANECDOTE amid the carnage; possibly a parable.

    A few weeks back, I was involved—against my inclination, probably out of a misplaced sense of duty to students—in a debate with two theologians about the limits of secularism. This took place at the New School for Social Research in New York, where I have my day job. My intent was to say as little as possible, just respond politely to the theologians and make my excuses and leave to get a drink. (After all, it was Friday evening.) Inevitably, everyone started to talk about Trump and how depressed they are and what we should all

  • DECLARATION ON DIGITAL CAPITALISM

    1. WE BEGIN OUR DECLARATION with an act of global positioning, a location capture of the place in and from which it will first have been delivered. Düsseldorf has been home to many heroes of the INS: to wartime radio operator and base materialist Joseph Beuys; to “Negativland” authors NEU!, whose blank, motoric drum patterns transform the fake, hippy emancipation of rock music into an empty baroque Trauerspiel; and, perhaps most significantly, to Kraftwerk, epochal plotters of the signal-transmission structure that, for us, is the secret grid of all literature and all art.

    2. YET WE MUST ALSO,