Simon Denny

  • The Artists’ Artists

    To take stock of the past year, Artforum asked an international group of artists to select a single exhibition or event that most memorably captured their eye in 2017.

    ZOE LEONARD

    Rei Kawakubo (Metropolitan Museum of Art, New York) This exhibition was an ecstatic explosion of imagination and ingenuity with a radical reconsideration of form at its core. Much of Kawakubo’s work is joyful and energetic, yet it is far from escapist; her practice is deeply grounded in the social, aesthetic, and material history of clothing and in the importance we humans have assigned to appearance and comportment.

  • Simon Denny

    Edward Snowden’s ongoing revelations have unveiled not just information but a total feast of complex visual and stylistic material, and the sprawling range of leaked interior documents—from the naff to the authoritative (and arriving in as many formats)—is proving to be among the richest cultural content released within the past year.

    In this unparalleled news experience, Snowden’s authorial equal might be Pulitzer Prize–winning journalist Glenn Greenwald, whose comprehensive No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State (Metropolitan) will likely stand as

  • THEIR FAVORITE EXHIBITIONS OF THE YEAR

    To take stock of the past year, Artforum asked an international group of artists to select the single image, exhibition, or event that most memorably captured their eye in 2012.

    RITA ACKERMANN

    Gang Gang Dance (September 22, Cameo Gallery, Brooklyn) If materialism is the unwanted fat on our spirits, Gang Gang Dance’s music is the blade that cuts it all off. Their sounds burn up that heaviness of need and greed and lift the spirits to other dimensions. A hundred years ago, Rudolf Steiner wrote The Philosophy of Freedom and feverishly lectured about protective space and other visionary ideas to