Stéphanie Moisdon

  • Stéphanie Moisdon

    1 DOMINIQUE GONZALEZ-FOERSTER (CENTRE POMPIDOU, PARIS; CURATED BY EMMA LAVIGNE) One could almost think that the format of the retrospective was invented for Gonzalez-Foerster, whose entire oeuvre since the early 1990s concerns time and its unraveling. A vertiginous, biographical landscape inhabited by the partial recollection of works and the memory of viewers, “1887–2058” was both the title and hypothetical time span of this collective adventure and major event.

    2 “SADE: ATTAQUER LE SOLEIL” (SADE: ATTACKING THE SUN) (MUSÉE D’ORSAY, PARIS; CURATED BY ANNIE LE BRUN AND LAURENCE DES CARS)