Tatiana Trouvé

  • THE BEST BOOKS OF 2010

    Thirteen scholars, critics, writers, and artists choose the year’s outstanding titles.

    T. J. CLARK

    No great surprise about my book of the year. I had been waiting for Michael Fried’s The Moment of Caravaggio (Princeton University Press) ever since hearing him present an early version of its opening ideas in Berkeley years ago, and when the volume arrived it took me by storm. I have never understood the churlishness of so much mainstream art history when confronted with the latest episode in Fried’s lifelong research project, but no doubt there will be the usual rolling of eyes in certain quarters

  • THEIR FAVORITE EXHIBITIONS OF 2008

    To take stock of the past year, Artforum contacted an international group of artists to find out which exhibitions were, in their eyes, the very best of 2008.

    DUNCAN CAMPBELL

    James Coleman, Background, 1991–94 (Irish Museum of Modern Art, Dublin) Existential photo-novel? Soap opera? Mail-order-catalogue photo shoot? Coleman’s installations, pairing slide projection with synchronized audio, don’t lend themselves to easy categorization. In Background, shown at the Irish Museum of Modern Art this year, the male narrator’s voice adds to the general dislocation, straining earnestly to convey some sort