
THEORETICAL PHYSIC
LAST MONTH, I was invited to participate in a round-table celebrating the legacy of Semiotext(e)that small press begun in 1974 and responsible for introducing so many European theorists to American readerson the occasion of its archives’ donation to Fales Library at New York University. My prescribed task was straightforward enough: to discuss the imprint’s influence on art during the past three decades. As luck would have it, however, I fell victim to a flu, and so instead of conveying my thoughts to an assembled audience, I found myself ruminating on the subject at home in bed,