Tobey Crockett

  • THE DARK SIDE OF DENNIS OPPENHEIM

    CURRENT CRITICAL THINKING seems to have us shuffling around in the morgue of Modernism for any fairly fresh body parts to reassemble. The slightest clue to where the next belief system is incubating sends us poking into overlooked corners and proposing interesting new hybrids for contemplation. The territory of artmaking is especially enriched today by the fallout of corrupted theory, a collapse that has liberated our ability to construct new worlds, additive and synergistic, unlimited by notions of pure and absolute reality or truth. In a present that has grasped the shifting sands of Wittgenstein