
Mitchel Cumming and Kenzee Patterson
The collaborative exhibition “A redistribution” by Mitchel Cumming and Kenzee Patterson combined the artists’ distinct practices with aplomb. Patterson often makes art out of unorthodox materials and processes, including obsolete or discarded products, while Cumming frequently engages with legacies of the readymade and institutional critique. Here, jointly and individually authored works came into dialogue with the show’s readymade centerpiece: a pair of millstones from the early years of settler colonization in Sydney.
The artists borrowed these rusticated circular lumps of hand-carved basalt