Tyler Maxin

  • music April 21, 2020

    Cannibal Club

    SHE’S MORE WILD . . . released last month by Black Truffle, was recorded in 1981 at the Center for Contemporary Music (CCM), the studio at Mills College in Oakland, California, then codirected by composers David Behrman and Robert Ashley. CCM was a hub for experimentation, outfitted with otherwise inaccessible amenities such as a multitrack recording setup and analog synthesizers. The studio was open not only to Mills students, but also to Bay Area composers, artists, and community members at reduced or no cost. This combination of communalism, cheap rents and tuition, and the nascent possibilities

  • music November 11, 2019

    Audience of One

    THE MAJOR LABEL SOLO MUSIC CAREER OF PETER IVERS, a figure defined in the popular imagination less by his personal achievements than by his proximities to stardom, has largely been eclipsed by his participation in two prototypical documents of the West Coast underground-gone-chic. The first is his song “In Heaven,” penned in 1974 for then American Film Institute student David Lynch’s Eraserhead (1977) and lip-synched in the film by a disfigured-cheeked Laurel Near; the second, his role as the host of New Wave Theatre, a short-lived cable-access variety show centered around live performances from