Winnie Wong

  • China’s museum boom

    HOW MANY MUSEUMS does the ideal society need? During the Great Leap Forward in the late 1950s, the Chinese Communist Party had a slogan: “Every county must have its museum, every commune its exhibition hall.” In 2002, the Chinese government rededicated itself to that ideal, when the State Administration of Cultural Heritage announced that the country would build one thousand museums by 2015. As improbably ambitious as that pronouncement might seem, it was in fact accomplished far ahead of schedule. By 2013, the country had already built almost fifteen hundred museums—in essence finishing

  • architectural copies

    IN 1749, at the height of the European mania for chinoiserie, an employee of the Swedish East India Company named William Chambers traveled to England after two voyages to the port of Guangzhou, China. His accounts of his experiences there were hungrily lapped up by the English nobility, and Chambers, building on this notoriety, soon fashioned himself into the leading architect and landscape designer of his day, notably designing the Chinese Pagoda at the Royal Botanic Gardens at Kew, completed in 1762, and becoming master surveyor and architect to King George III. A pet project of the well-heeled