
Raoul Hausmann
While one tends to associate Dada with anarchy, political anger, and the antiaesthetic, one encounters much quietude and refined formal beauty in this outstanding survey of Raoul Hausmann’s lesser known photography, expertly curated by Cécile Bargues. Hausmann’s images are exceptional in their versatility and fluency in various photographic styles. Some of his landscapes and still lifes, such as Untitled (Tree Stumps on the Beach), 1931, anthropomorphize forms in the natural world and evoke Surrealism, while his photographs of peasant houses in Ibiza between 1933 and 1936, including Can Nadal