Yvonne Rainer

  • Yvonne Rainer

    I WOULD LIKE to unequivocally and with utmost affection assert that Steve Paxton is a Grand Old Man of postmodern dance. With that said, and without offering definitive proof, let me proceed by giving an example of how Steve was always a step ahead of most of us, and of me in particular, when we were both taking Robert Dunn’s composition class in 1960. In response to Dunn’s assignment to make a one-minute dance, Steve sat on a bench and ate a sandwich. In hindsight, I see this provocative act as a launchpad for the ongoing dialogue between Steve’s curious conceptual intelligence and his remarkable

  • THE BEST BOOKS OF THE YEAR

    ELEVEN SCHOLARS, CRITICS, AND ARTISTS CHOOSE THE YEAR’S OUTSTANDING TITLES.

    JOHN BALDESSARI

    Kierkegaard once said that his goal in writing was to make life difficult for people. I read Edward Said’s On Late Style (Pantheon) because its title suggested that it might offer insights into my life’s pursuit of trying to understand art. The subtitle of the book is Music and Literature Against the Grain. The photo of Said on the back cover shows his shirt collar slightly askew, which I chose to understand as an unintended message.

    There are no artists (in the narrow sense) discussed, but the book contains

  • THEIR FAVORITE EXHIBITIONS OF THE YEAR

    To take stock of the past year, Artforum contacted an international group of artists to find out which exhibitions were, in their eyes, the very best of 2006.

    AMY SILLMAN

    “Edvard Munch: The Modern Life of the Soul” (Museum of Modern Art, New York) In a rather cynical mode, I trudged uptown one day last spring to see the Munch show at MoMA for what I thought would be a cliché-ridden overview of Nordic gloom-goth. What I got instead was a hard punch to the gut: powerful color, radical ideas about the depiction of memory as space, paintings with emotional vanishing points rather than rational optical