Zoë Lescaze

  • picks February 27, 2015

    Alice Neel

    The moods of this elegant exhibition, which includes loose pastels and watercolors, precise pencil sketches, and frenetic ink drawings, fluctuate like the spikes on an EKG. There are moments of warmth here—a mother and child on the beach—but many of Alice Neel’s subjects are solitary: an old woman with no purse riding a train, a brooding child, a lost-looking man with an empty coffee cup. Even when several figures share a space, they can appear isolated. In Alienation, 1935, Neel lies naked on a bed, lips and eyes firmly shut. A nude lover stands above her, turning away, limbs crossed defensively.

  • picks January 30, 2015

    Tal R

    Mingling homage with sabotage, Tal R frequently adopts the styles of other painters to produce anachronistic works. For his seductive new show, “Altstadt Girl,” the Copenhagen-based artist nimbly channels Modigliani and Matisse, creating clever modernist chimeras with contemporary bite. Abstracted female nudes with masklike faces shower, smoke, and lounge like odalisques in richly patterned, jewel-toned interiors. One standing woman, her body rendered in the shades of a particularly spectacular sunset, holds up an actual mask, a puckish, art-historical in-joke on primitivism. The figure in ET,