K.R.M. Mooney’s first exhibition with this gallery (and in New York) features a selection of suggestively deformed equipment, from architectural and industrial materials to nearly figurative compositions. Take the wall-mounted assemblage Housing (c.) ii (all works 2022), with its bent, expensive-looking, copper-colored sheet. This aspect nearly resolves into something that looks like a flag, or a folded page—it’s almost trompe l’oeil. The gray piece made up of serialized objects on the floor, Radial Affordance (c.) i, contrasts against Housing’s playfulness with a hard, selfsame presentation of