Alicia Eler

“We'll All Make Out Better Than Okay”

Charlotte Street Foundation

December 2013

A giant white gym sock covering a robotic arm that once functioned in a Detroit auto-manufacturing plant speaks in a deadening monotone to passersby. He talks about what it’s like to become useless and rambles about other topics as well: “My… READ ON




October 2013

In this group exhibition, curator Peregrine Honig channels the historically romanticized American cowboy, positioning him as one who mounts but never rides. John Woods’s three-hundred-pound Marbles and Coins from MacArthur Park, 2008, is the… READ ON


Abigail DeVille

Iceberg Projects

May 2013

If “X” marks the spot, and three Xs mean “poison, do not drink,” the seven Xs that make up the title of Abigail DeVille’s exhibition suggest a marking of double the poison, plus one drop for location. The socioeconomics of place are at the … READ ON


Dutes Miller

Western Exhibitions

January 2013

Dutes Miller’s queer utopia is a romp through Adam and Steve’s Garden of Eden. “In the Garden” presents the gallery-as-landscape peppered with clusters of oddly sexualized finger-fungi outgrowths harvesting on patches of fake grass, blotched-out… READ ON


Gilad Ratman

Aspect Ratio

October 2012

In Israeli artist Gilad Ratman’s five-minute, single-channel video The Days of the Family of the Bell, 2012, ten shaking bodies morph into a variety of temporary organic formations. Through this work, Ratman suggests our human dependence on… READ ON


Rodney Graham

October 2008

In his sixth solo show at this gallery, Canadian conceptualist Rodney Graham continues to curiously rework historical moments. Rotary Psycho-Opticon (all works 2008), a replica of a sculpture used by the band Black Sabbath, combines the … READ ON


John Opera

September 2008

In his new body of work, the Chicago-based photographer John Opera skillfully and conspicuously leaps from landscape to abstract photography. When creating works in the former category, Opera nearly takes an ironic jab at the genre’s tropes… READ ON


“Ladylike: A Proper Take on Feminist Art”

July 2008

One wouldn’t expect an exhibition titled “Ladylike” to present a view of feminism that narrowly focuses on female-identified women artists and thus excludes feminist-inclined men and transgender, transsexual, and intersex persons. Despite … READ ON


Tom Denlinger

June 2008

Tom Denlinger’s thoughtful exhibition—of photographs and a video—challenges notions of the local landscape as bland or static. Denlinger brings to the subject a keen sense of three-dimensional space, the museum context, and representations … READ ON