Courtney Fiske

Joan Mitchell

Cheim & Read

November 2016

For Joan Mitchell, painting was a suspended kinesthesia, an act that both dilated and disallowed bodily control, like riding a bicycle with no hands. Displayed here in a four-decade sweep alongside pastels and watercolors, her canvases make… READ ON

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Victor Burgin

Bridget Donahue, Cristin Tierney

October 2016

Victor Burgin premises his art on misalignment. His early work commutes among image, narrative, and theory, pleasuring in the friction among disjointed forms of meaning. Exemplary from this period is UK76, 1976, a suite of eleven black-and-white… READ ON

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Ed Moses

Albertz Benda

September 2016

Spanning 1951 to ’99, this survey of paintings and drawings by West Coast artist Ed Moses presents a pleasurable mismatch of gestures and techniques. Working horizontally so as to be able to approach his support from all sides, Moses variously… READ ON

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Meg Webster

Paula Cooper Gallery | 534 West 21st Street

June 2016

Meg Webster’s Solar Grow Room (all works cited, 2016) centers greenery—lettuces, herbs, and assorted blooms—under LED grow lights that are powered by solar panels affixed to the gallery’s exterior. Equipment and edibles join in a self-sustaining… READ ON

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Amie Siegel

Simon Preston

May 2016

Amie Siegel’s latest works probe the pathos of preterit things. Shot in crystalline HD, Fetish, 2016, documents the annual cleaning of Freud’s London home, preserved since the early 1980s as a museum. Bronze sibyls, ceramic sphinxes, and … READ ON

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Jean Tinguely

Gladstone Gallery | West 21st St

November 2015

For Jean Tinguely, art was a transitive proposition, meant to clatter, clank, and clunk its way to the trash. Tracing the four-decade arc of Tinguely’s career, the kinetic objects on display insist on being both seen and heard. Cobbled from… READ ON

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Rosemarie Castoro

BROADWAY 1602

September 2015

When Rosemarie Castoro appears in art history, it’s often as a footnote to Carl Andre, her husband for six years in the 1960s. This installation in her former loft, where she lived and worked from 1964 until her death this May, challenges … READ ON

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Jack Tworkov

Alexander Gray Associates

September 2015

For Polish-born painter Jack Tworkov, the 1960s were a cul-de-sac for the autographic gesture. AbEx had tipped from an earnest style into a mode of stylization, and the question was how to continue painting, if at all. Spanning five decades,… READ ON

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Larry Bell

The Chinati Foundation, The Chinati Foundation

July 2015

Larry Bell’s 6 x 6 an improvisation, 2014, pares the cube to its essential component: the right angle. Extending his series of “Standing Walls” begun in 1968, this site-responsive work consists of thirty-two glass panels, each six feet square… READ ON

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Erin Shirreff

Sikkema Jenkins & Co.

April 2015

Erin Shirreff’s art beats between objects and images. Her latest show, “Arm’s Length,” consists of four bodies of work: large-scale cyanotypes, lush pigment-print diptychs, plinth-bound arrangements of plaster geometries, and layered compositions… READ ON

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