Daniel Quiles

“One Day This Kid Will Get Larger”

DePaul Art Museum

February 2017

In David Wojnarowicz’s Untitled (One day this kid…), 1990, a photograph of the artist as a young boy is surrounded by descriptions of the violence he will someday suffer at the hands of a homophobic society. Curated by Danny Orendorff, this… READ ON


Brian O’Doherty

Simone Subal Gallery

January 2017

“The grid glides, stammers, and blurts with different lengths and colours,” Brian O’Doherty wrote regarding his use of Ogham, an ancient Irish linear alphabet, in his paintings and sculptures from between 1968 and 1979. In groupings of … READ ON


Harold Mendez

January 2017

Harold Mendez’s American Pictures, 2016, consists of one gridded industrial mat, sprayed with a fine layer of enamel paint and laid flat on the floor, against which another painted mat is propped at a perpendicular angle, creating a sort of… READ ON

IN PRINT January 2017 [TOC]

“Oscar Masotta: Theory as Action”

January 2017

Curated by Ana Longoni A singular combination of cultural critic, teacher, occasional artist, and unrepentant Lacanian, Oscar Masotta was the key theorist of 1960s Buenos Aires’s fervent avant-garde. Fired from his university job by the … READ ON


Larry Achiampong

December 2016

THE LAST IMMIGRANT IS IN CAPTIVITY THE GALAXY IS AT PEACE reads one of the blackboards constituting Larry Achiampong’s #OPENSEASON, 2016, installed on the wall’s of the Logan’s main gallery. The words, furiously and repeatedly scrawled in … READ ON

IN PRINT December 2016 [TOC]

Jaime Davidovich (1936–2016)

Daniel Quiles on Jaime Davidovich (1936–2016)

November 2016

“AND ONE LAST THING: AVOID ASSHOLES,” Jaime Davidovich deadpanned, in a final piece of advice to my art students when, in the summer of 2015, we met him in his Bronx Museum retrospective, “Adventures of the Avant-Garde.” Coming from this … READ ON


“Every Building in Baghdad: The Rifat Chadirji Archives at the Arab Image Foundation”

Graham Foundation

October 2016

As Benjamin H. D. Buchloh, Okwui Enwezor, and many others have observed, the photographic archive inevitably exceeds its function as repository of exhaustive records; the viewer adds mnemonic and affective experience in encountering this … READ ON


“Sanford Biggers: Subjective Cosmology”

September 2016

Curated by Elysia Borowy-Reeder Over the past two decades, Sanford Biggers has woven references to African American culture, Eastern spirituality, and global music and dance traditions into patchwork myths and rituals. This exhibition promises… READ ON


Sanford Biggers

May 2016

Sanford Biggers’s video BAM (For Michael), 2015, ostensibly documents a series of mediations to a new series of bronze figurines based on colorful wooden statuettes that the artist originally purchased from street vendors in Harlem. The … READ ON

IN PRINT May 2016 [TOC]

Mónica Mayer

May 2016

“And all of this is a . . . work of art?” talk-show host Guillermo Ochoa asks artists Maris Bustamante and Mónica Mayer, the two members of Polvo de Gallina Negra (Black Hen’s Powder), on an episode of Nuestro Mundo (Our World) that originally… READ ON

IN PRINT May 2016 [TOC]