Hal Foster

Hal Foster

December 2017

FOR PAUL CHAN, “art is a lawless proposition.” “The telos of artistic form,” he argues, is a “spirit of irreconcilability.”1 As Chan well knows, this principle runs counter to traditional ideas of art as the mastering of composition and … READ ON

IN PRINT December 2017 [TOC]

REAL FICTIONS: ALTERNATIVES TO ALTERNATIVE FACTS

April 2017

1. DESPITE RUMORS OF ITS DISAPPEARANCE, the real remains with us. The labor of its production is “obstinate,” Alexander Kluge and Oskar Negt argue; it persists in the overlooked furniture of our everyday lives. The real is as intractable as… READ ON

IN PRINT April 2017 [TOC]

Hal Foster

December 2016

THERE IS SO MUCH about the political culture of this country that, as a pointy-headed intellectual, I don’t get. During this election year, then, the two best shows for me—best as in most instructive—were Jim Shaw’s “The End Is Here” at the… READ ON

IN PRINT December 2016 [TOC]

Hal Foster

December 2015

“PICASSO SCULPTURE” is both amazing and appalling. With 141 objects in eleven galleries, the presentation is lucid, stately, almost grand, and the work is inventive in the extreme. Yet there are times when all this creativity betrays a manic… READ ON

IN PRINT December 2015 [TOC]

THE REAL THING: “NEW OBJECTIVITY: MODERN GERMAN ART IN THE WEIMAR REPUBLIC 1919–1933”

October 2015

FOR A LONG TIME, Neue Sachlichkeit, the dominant tendency in German art of the 1920s, was seen as a return to order in general and as a reaction against Expressionism and Dada in particular, despite the fact that some neusachlich artists—Max… READ ON

IN PRINT October 2015 [TOC]

Summer Reading

June 2015

HAL FOSTER  Whither photo history and theory? A growth field in universities and museums a generation ago, it seems endangered today. For young people, photography is so last-century; for the rest of us, it is both everywhere and nowhere in… READ ON

IN PRINT Summer 2015 [TOC]

Robert Gober

January 2015

FROM THE BEGINNING, the art of Robert Gober was distinctive, as if it had emerged full-blown from his forehead; and, in fact, an early work, Slides of a Changing Painting, 1982–83, a slide show of eighty-nine photographs of a single painting… READ ON

IN PRINT January 2015 [TOC]

Hal Foster

December 2014

AT A MOMENT when almost everything is collage and montage—with cut-and-paste the most basic operation on computers and image appropriation and object juxtaposition the most common procedures in art—it is a pleasure to reencounter the modernist… READ ON

IN PRINT December 2014 [TOC]

SERRA IN THE DESERT

September 2014

EAST-WEST/WEST-EAST is a new sculpture by Richard Serra commissioned by Sheikha al-Mayassa al-Thani of Qatar; it is located in the Brouq Nature Reserve in the western portion of this tiny state in the Gulf enriched by its holdings of gas and… READ ON

IN PRINT September 2014 [TOC]

Isa Genzken

February 2014

THE ISA GENZKEN RETROSPECTIVE currently at the Museum of Modern Art in New York reveals both the range and the ambition of this influential artist, and the Modern has given her the large galleries that she deserves; this is all the more … READ ON

IN PRINT February 2014 [TOC]