Lloyd Wise

Mirosław Bałka

January 2017

Curated by Vicente Todolí Like other artists of his generation (e.g., Roni Horn, Tom Burr), Mirosław Bałka reimagines the deadpan, impersonal, quasi-anthropomorphic geometry of Minimalism as an avatar of something more straightforwardly human,… READ ON

PREVIEWS

Yanyan Huang

October 2016

Some seventy or so years after its heroic American heyday, Abstract Expressionism has seen a lot, having been debased, parodied, subverted, enshrined, disavowed, mocked, and reinvented a thousand times by as many artists to as many different… READ ON

IN PRINT October 2016 [TOC]

Eberhard Havekost

May 2016

The slick, sinister paintings of Eberhard Havekost have begun to show their age, which is a wonderful thing, since they now help put the present in sharper relief. Born in Germany and based between Düsseldorf and Berlin, Havekost has shown … READ ON

IN PRINT May 2016 [TOC]

Urban Zellweger

March 2016

For “Tables and Landscapes” at Shoot the Lobster, Urban Zellweger’s sprightly first New York solo show, the young Zurich-based artist presented six paintings from 2015 that mined art-historical conventions, and while at first this might sound… READ ON

IN PRINT March 2016 [TOC]

Sadamasa Motonaga

February 2016

One of the coolest pieces of ephemera in the catalogue accompanying this exhibition of Sadamasa Motonaga’s later work is the artist’s “My Abstract Manga Manifesto,” a sequence of four line drawings published in a 1963 edition of Bijutsu techō,… READ ON

IN PRINT February 2016 [TOC]

OPENINGS: TABOR ROBAK

November 2015

THE MOST VISIBLE ART about technology today often comes across as a kind of Net art brut. Think of glitch art, of the nostalgic proliferations of drop shadows and gradients, of the post-Internet preoccupation with stock images, or of vaporwave.… READ ON

IN PRINT November 2015 [TOC]

Justin Adian

November 2015

Justin Adian’s show “Fort Worth” presented sixteen works that were made using a technique he has employed since 2007, and that has come to be his signature and calling card: The artist places hunks of foam on shaped wooden stretchers, stretches… READ ON

IN PRINT November 2015 [TOC]

Tina Barney

October 2015

Money, I’ve heard, cannot buy happiness. And through the 1980s, Tina Barney’s darkly witty pictures of her insular upper-class milieu gave a diabolically cheerful endorsement of that tried-and-true claim. These now-classic half-staged, … READ ON

IN PRINT October 2015 [TOC]

Dana Schutz

September 2015

Curated by John Zeppetelli Mercifully free of easy irony, gimmicks, and suspended-in-scare-quotes gags, Dana Schutz’s virtuoso painting melds and morphs the oddball corners of modernism—Neue Sachlichkeit, Hairy Who—to produce its own mutant… READ ON

PREVIEWS

Heimo Zobernig

September 2015

Curated by Thomas D. Trummer Today, it’s hard not to feel a little bad for high-modernist abstraction. Everyone gives it such a tough time. And since the 1980s, Heimo Zobernig has been one of its most cheerful antagonists, giving due respect… READ ON

PREVIEWS