Mary Rinebold

Mary Rinebold

December 2013

THERE STILL REMAIN unexamined vestiges of American West Coast counterculture figure Raymond Pettibon, indicated in the exhibition “Human Wave: The Videotapes of Raymond Pettibon” (January 25–March 17, 2013) through a series of unedited, … READ ON

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Nick Relph

Chisenhale Gallery

October 2013

For “Tomorrow There Is No Recording,” Nick Relph articulates the surface and construction of images using photographs and textiles. Starting with the wall of the gallery entrance, the vinyl lettering of the show’s title has been obscured by… READ ON

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12th Biennale de Lyon

Biennale de Lyon

October 2013

Attempting to revive what guest curator Gunnar B. Kvaran describes as “the radical strangeness and complexity that is usually flattened and smoothed by conventional storytelling,” the works by the seventy-seven artists in the Twelfth Biennale… READ ON

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“Friends of London”

The David Roberts Art Foundation

July 2013

Acknowledging London as an intensely productive gathering place, “Friends of London” is an extensive survey of works made by artists living between Britain and Latin America during the 1960s and 1970s. To the credit of its curators, Pablo … READ ON

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Jutta Koether

Campoli Presti | London

July 2013

“The Double Session,” named for philosopher Jacques Derrida’s 1969 lecture, marks a continuation of Jutta Koether’s long-term exploration into notions of “double reading,” which is mainly enacted here by two visually and structurally alike … READ ON

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William Kentridge

The Bluecoat

January 2013

Many of the one hundred works in “A Universal Archive,” William Kentridge’s first major UK retrospective of his prints, which is organized by Hayward Touring, relate to the operas and films for which the artist is well known, such as the … READ ON

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Heman Chong and Anthony Marcellini

Wilkinson Gallery

January 2013

For their collaborative exhibition, “Interview(s),” Heman Chong and Anthony Marcellini continue a close dialogue, one primarily sustained over Skype since 2005. Formalizing a set of seven assumptions written by the two about “the social life… READ ON

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David Adamo

Ibid.

January 2013

In 2007, David Adamo spent a day in the Metropolitan Museum of Art standing in front of John Singer Sargent’s 1883–84 portrait Madame X (Madame Gautreau), for a performance suitably titled Museum Museum: XX. In a further exploration of historic… READ ON

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“The Individual and the Organization: Artist Placement Group 1966-79”

Raven Row

November 2012

Formed in London in 1966, the Artist Placement Group (APG) was one of longest running and most prolific political art collectives of the latter half of the twentieth century, and it claimed as members, over its thirty-year run, luminaries … READ ON

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Rashid Johnson

South London Gallery

October 2012

Like elaborate stage sets, Rashid Johnson’s installations are typically encompassing, drawing viewers into dioramas populated by artifacts that stand in for cultural icons (for instance, Don King and Sun Ra have made appearances in previous… READ ON

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