COLUMNS

  • Diary

    Artists Only

    Michael Wilson on MoMA's artists' night

    Touted as the “artists’” evening, Tuesday’s reception at the Museum of Modern Art’s revamped midtown digs also boasted scores of curators, dealers, and collectors, with gallerist Gavin Brown being the first to flip a roving Artforum paparazzo the bird. But while Creative Time curator Peter Eleey reported having overheard architect Yoshio Taniguchi’s atrium blithely condemned as “Japanese Fascist,” most attendees basked contentedly in the expanded schmoozing arena. The installation received mixed notices, with the contemporary wing in particular felt by many to be padded with mediocre work (though

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  • Diary

    Paris-a-Go-Go

    Alison Gingeras on Perrotin's party

    What with the swell of the art market and the previously unheard-of high-level private interest in contemporary art in Paris, Emmanuel Perrotin has plenty to celebrate these days. Still, the invitation from the ever-effervescent French dealer to join him and some three hundred VIPs on Tuesday night for a sit-down dinner followed by a concert and dance party—at Le Georges, no less, the overrated yet, one must admit, magically situated restaurant atop the Centre Pompidou—suggested an occasion. And the invitation itself provided the first clue: a pretty Deco building in Miami—formerly

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