First one man exhibition of this young painter who shows low-keyed, loosely painted, very academic abstract expressionist work, sometimes figurative, visceral or completely abstract.
—John Coplans
Joe Goode
November 1962
VOL. 1, NO. 6
First one man exhibition of this young painter who shows low-keyed, loosely painted, very academic abstract expressionist work, sometimes figurative, visceral or completely abstract.
—John Coplans
