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Among the current selections of member artists of the San Francisco Art Association, there are several intriguing works to be noted: Philip Linhares’ sincere engagement with the problem of intimate metaphysical assemblage applied to current oil painting scale . . . the serious struggle with polychrome sculpture by Sally Hellyer . . . a recent copper-coated sculpture of macabre symbolist overtones by John Pearson, and a vigorous black and orange painting by Deborah Remington. The current Art Bank catalogue could well serve as a model, in its physical format, for catalogues yet to be witnessed by Museums in the Bay Area.

––Walter Hopps

"Art Bank"
September 1962
VOL. 1, NO. 4
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