Death leaves behind more than just bones. To document the vagaries of the Great Vanishing Act, Glaswegian artist Christine Borland has buried weapons, photographed fetuses in collections devoted to medical history, ordered skeletons over the phone, and had six sculptors replicate the head of Josef Mengele, the Mad Doctor of Auschwitz. In this first Dutch survey of Borland’s work, curator Saskia Bos presents work from 1991 to 1998. Nov. 6, 1998–Jan. 4, 1999; travels to Museum für Gegenwartskunst, Zurich; CCC, Tours, France; Fundaçao de Serralves, Porto, Portugal.
