Enrique Montenegro, Reginald Pollack, James Weeks, and Bryan Wilson

Wherein four persons of established painting reputation present a pleasing study in low key. In total they produce an atmosphere where the greatest energy expended is in opening the gallery door. Wilson’s Ross Snow Geese is a poignant statement which combines his ornithological zeal with the balance of Okada and an Avery view of life. Weeks’ stark, unpeopled landscapes serve as concrete souvenirs of nature’s monuments. Montenegro leads you out of the cool-dark of a Saturday matinee into a sun blind, fragmented, shopper’s world. Pollack’s sweet poetry exudes violet essences. Like Bryce Canyon, Griffith Park and Lemonade, this is right for summer.

––Henry T. Hopkins