The vast reach of representational art is shown here by Pomeroy’s select group of suave European and American artists. Primitive Grandma Moses and college trained Lundy Siegriest are at the opposite ends of the roster, one with a gingerbread landscape, the other with a near abstraction.
—E. M. Polley
Francis Bacon, “Study for Portrait II,” 1956. Courtesy, Marlborough Gallery.
December 1962/January 1963
VOL. 1, NO. 7
