Group Show

A show which includes one or two pieces by several better and lesser known artists. A pencil and watercolor view of Topanga Canyon (1954) by Stanton MacDonald-Wright seemed choice. Typical of the work of that period, his sensitive pencil study is brought into spatial action through a series of carefully applied patches of Synchromist color. The small, classically conceived, sculptures and drawings of Moissey Kogan, a noteworthy personality recently rescued from limbo, also demand attention. Lesser known San Franciscan Gregory Gillespie shows a tough, little theater interior with its malignant, mass audience. Levine-like in-fighting, 1960 style.

––Henry T. Hopkins