Featuring works by gallery artists Carl Morris, Harry Mintz, John Rood, Elias Friedensohn, Walter Askin, George Nocito, Horst Gottschalk and Arthur Okamura, this exhibition is a neutral representation of a little of this and a little of that without very much of anything. All the tricks of the trade are here in profusion. Aside from Mintz’s Motion, Okamura’s Waterfall, and Morris’ White Field, the exhibition is a rather dull showing of odds and ends with no particular impact.
––Arthur Secunda
September 1962
VOL. 1, NO. 4
