Not much logic or meaning or consistency of performance in this exhibit of works by Max Band, Jorgen Hansen, Ruth Erlich, Ted Gilian, Al Wien, James McMennamin, Marc du Plantier and Alice Asmar, but a surprising number of serious essays are nevertheless present. More careful and sensitive planning and editing in the selection of the show would have made it one of more memorable substance.
March 1963
VOL. 1, NO. 9
