A series of oils, most of which were originally inspired by Kabuki dancers and various other aspects of Japanese folklore, are painted in heavy impasto with the help of a marble aggregate lending a mat but juicy richness to many of the predominantly white subjects. Miss Hill’s work is characterized by this leaning towards relief effects and an unsophisticated use of raw color.
—Arthur Secunda
June 1962
VOL. 1, NO. 1
