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Ex-muralist and illustrator Marie-Anne Poniatowska has produced this group of incredibly facile drawings. Large in size and intri­cate in rendering, the rock shapes and skeletons are further enhanced by their sensitive placement on the page. These are not hastily dashed off studies or sketches, but rather painstakingly done independent statements.

Working in black and white requires a particular kind of discipline from the artist, for the value range is bounded by absolutes. There is nothing whiter than total white (presumably the paper) nor blacker than total black. And these limits dictate the intervals between middle values. Miss Poniatowska re­sponds well to this discipline, approach­ing but never quite reaching the abso­lute limits of the value range, always holding something in reserve.

If any criticism were to be levied, it would have to be superficiality. The ar­tist’s interest in her subjects seems to be their visual and tactile properties. It would be interesting to see her work in a few years, as her art matures.

Virginia Allen

 

Marcel Duchamp, “Network of Stoppages,” oil on canvas, 58x78½", 1914 (damaged.) (Private Collection, New York.) Color Courtesy the Pasadena Art Museum.
Marcel Duchamp, “Network of Stoppages,” oil on canvas, 58x78½", 1914 (damaged.) (Private Collection, New York.) Color Courtesy the Pasadena Art Museum.
December 1963
VOL. 2, NO. 6
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