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An upstairs exhibition of prints and drawings by Italian, French and Flemish minor masters of the sixteenth to eighteenth centuries is of more than casual interest. Of particular note are a wash figure grouping by Giovanni-Battista Cipriani (a student of Bartolozzi); a sensuously modeled pen and ink figure study by the sixteenth century Florentine painter-poet-musician-architect, Lodovico Cardi (Cigoli); carefully delineated renderings of hands by the sixteenth century anatomist, Voecher Coiter; and a delicate, imaginative Fantastic Landscape by the seventeenth century Flemish follower of Brueghels, Roeland Savery.
––Arthur Secunda
