Last June, the Musée de Lyon inaugurated a three-part show devoted to the art of Robert Morris (one installment each summer). The first exhibition comprised four installations from the ’60s and ’70s as well as Mirror Film, 1969; for the second, Morris has constructed a gigantic (1,000-square-meter) labyrinth, wherein four of his vintage performances will be presented on video screens: 21.3, 1964; Arizona, 1963; two versions of Waterman Switch, 1965; and the now-famous Site, 1964, in which Carolee Schneemann appears in the role of Manet’s Olympia. We will have to wait another year for the third part of this trilogy, for which the artist plans a new site-specific work for the Musée de Lyon.
