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Curated by Mark Godfrey, Donna De Salvo, and Carter Foster
A welcome survey of Horn’s work tracks her thirty-year engagement with post-Minimalist form as a container for affective perception. Expect selections from her cycles of “pair objects”; the complete 100-photograph installation of “You Are the Weather,” 1994–96; and—investigating the topography of Iceland as a landscape of libidinal folds and fissures—the artist’s book series “To Place,” 1990–. Newer pieces will include sculptures in glass, abstract word drawings, and a rubber-floored room. The accompanying publication promises a “Subject Index” of writings by the artist, Matthew Barney, Anne Carson, Tacita Dean, and Nancy Spector, among others, and will doubtless benefit from Horn’s long-standing interest in books as objects. Art historian Briony Fer contributes the lead essay.
