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A show brought together from the collec­tions of the Oakland Museum and pri­vate lenders that is a sentimental bou­quet for the College’s 75th birthday. It is redolent of the time and place when nature was its own reward and the painter was content to remind us of this fact. The wonder-of-it-all is in every cor­ner, California in its grandest and quiet­est aspects is celebrated with gusto and imported skill. Indians and squaws inhabit the Yosemite Valley, glacial peaks stand majestically behind the head­waters of the San Joaquin River, the Pacific shore by day and forests by night: all are part of the pageant seen with awe by men whose eyes had been conditioned by other parts of the world. Hudson River, England (a la Whistler), Munich, and even the first tentative ventures into Impressionism mix in the show but all are somehow tempered by the scenery. The dedication and artistic resources of these gentle artists make their latterday counterparts in Laguna, Carmel and other curio towns look pale indeed.

Douglas McClellan

Francis Bacon, “Study for Portrait II,” 1956. Courtesy, Marlborough Gallery.
Francis Bacon, “Study for Portrait II,” 1956. Courtesy, Marlborough Gallery.
December 1962/January 1963
VOL. 1, NO. 7
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