STAND IN THE STREAM, the title of Stanya Kahn’s recent hour-length video, has taken on an extra layer of associations in the final two weeks of its exhibition at MoMA PS1. So has the opening image of a policeman in a heavy-duty military-like jacket and helmet standing, his back to the camera, on a beach next to some kind of motorized, perhaps amphibious vehicle. I think I’ve seen something like it on TV, ferrying stranded Texas flood victims to safety. Or maybe not.
Kahn lifted the title from a bit of dialogue in Bertolt Brecht’s Man Equals Man (1926), an early play about the dehumanizing effect