COLUMNS

  • Aslıhan Demirtaş

    Aslıhan Demirtaş is an Istanbul- and New York–based architect and designer whose practice often takes on unexpected, research-based projects. In Taksim Square, she is currently showing Kaide (Plinth), 2016: one and a half tons of earth rammed into a sixty-by-forty-inch rectangular prism, the dimensions of which are based on endangered, traditional urban gardening modules in the Yedikule neighborhood of Istanbul. A farmer, a composer, artists, and collectors have all been invited to contribute to Kaide for one week a piece in order to reflect on soil, memory, and displacement, as well as on the

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  • Juliana Huxtable

    New York–based artist, writer, and performer Juliana Huxtable brings her trenchant voice and #shockvalue flair to two new publications out this year: Mucus in My Pineal Gland, a book of her musings copublished by Wonder and Capricious, and Life, an apocalyptic sci-fi narrative cowritten with Hannah Black and published by Verlag der Buchhandlung Walther König. Here, Huxtable discusses her writing style as well as her debut solo exhibition, “A Split During Laughter at the Rally,” which is on view at Reena Spaulings Fine Art in New York through June 4, 2017.

    I AM FASCINATED with Emory Douglas, who

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  • Doug Wheeler

    Doug Wheeler is an American artist based in New Mexico. In the 1960s he began working in Los Angeles, where he was one of the pioneering figures exploring how light and space could be used to establish experiential situations. At the Solomon R. Guggenheim Museum in New York, Wheeler is currently showing PSAD Synthetic Desert III, 1971, the first realization of a semi-anechoic chamber he originally conceived as a plan in 1968. The work is on view through August 2, 2017.

    TO ME, A WORKING DRAWING is about experimental spaces or thoughts. I used to do what I called “equation drawings,” which I started

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  • Susan Hiller

    London-based artist Susan Hiller is known for her innovative media works, many of which incorporate elements of anthropology and psychoanalysis. One recent strain of her practice involves artworks that pay tribute to other artists whose works reveal an influence of occult or paranormal ideas, such as her ongoing Homage to Marcel Duchamp: Auras, 2008–, a collection of aura photographs, sourced online and digitally modified; the work is inspired by Duchamp’s Portrait of Dr. Dumouchel, 1910, which shows the sitter surrounded by colorful emanations. Here, she speaks about the aura works included

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  • Edgar Heap of Birds

    For over forty years, Hock E Aye Vi Edgar Heap of Birds has produced works that antagonize indigenous oppression and foreground his Cheyenne heritage. In recent monoprints, Heap of Birds merges political songs and anthems with his own writings—RED SKIN BOUNTY TIS OF THEE, reads one print in Genocide and Democracy, 2016, a piece he discusses below. That work is featured in “Reconstitution” at LAXART in Los Angeles, an exhibition that looks at the enduring legacy of identity politics and is curated by Catherine Taft and Hamza Walker. The show is on view through May 27, 2017.

    I’VE BEEN MAKING

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  • Joe Goode

    Joe Goode’s deadpan images of milk bottles, suburban homes, open skies, forest fires, water, and smog are included in the collections of the Los Angeles County Museum of Art; the Museum of Contemporary Art, Los Angeles; the Menil Collection in Houston; the Smithsonian American Art Museum in Washington, DC; the Whitney Museum of American Art; and the Museum of Modern Art in New York. Goode has worked in Los Angeles since the 1960s; his latest exhibition, “Old Ideas with New Solutions,” features recent paintings from several series he has been working on over the past half-century. The show opened

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  • Arca

    Like those IDM experimentalists who twiddled knobs and soft synths before him, millennial electronic prodigy Alejandro Ghersi (aka Arca) has succeeded in widening a sonic landscape and pushing it to its very digital limits. His skittering collages of pitched vocals, short piano phrases, and symphonic interludes reliably mesmerize fans and critics alike. On the occasion of Arca’s third album, the Venezuelan composer-producer and current Björk collaborator discusses the roots of his alias, childhood memories of life in Venezuela, and general ideas behind his music. XL Recordings released Arca on

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  • Vinyl Terror & Horror

    Berlin-based Danish duo Vinyl Terror & Horror—Greta Christensen and Camilla Sørensen—are currently participating in the exhibition “Anger,” along with artists Martin Erik Andersen and René Schmidt, at the Horsens Kunstmuseum in Horsens, Denmark. For their installation Off Track, 2016–17, they present an untidy array of sounds and objects, which they discuss here. The show is on view through May 28, 2017.

    OUR APPROACH synchronizes well with the theme of this exhibition. We often work with ideas of destruction, violence, fear, and anger, which are usually expressed in a materially dark and humorous

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  • Vanessa Place

    Vanessa Place is a writer, artist, and criminal defense attorney who currently lives and works in Los Angeles. Her 2010 book The Guilt Project: Rape, Morality, and Law critically examined the laws and punitive measures currently employed in the US regarding sex crimes, in addition to proposing that we expand our conception of “rape culture” into an understanding of culture broadly. She has for the past year been touring a recent work, a set of rape jokes, If I Wanted Your Opinion, I’d Remove the Duct Tape, 2016–, which she performed most recently in the Nu Performance Festival in Tallinn, Estonia,

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  • 1000 WORDS: MARIA EICHHORN

    MEETINGS, CONTRACTS, REGULATIONS, the intricacies of official protocols, and the arcane workings of government agencies: Maria Eichhorn deploys the components of the administrative everyday in radical and counterintuive ways, using whatever resources are available to her—an exhibition budget, say, or access to a building or site—to create works that perversely elude easy definition and anarchically tilt at the impossible. Her projects are often the result of lengthy negotiations that reveal and trouble systems of value and redirect flows of power and capital. The effects of these

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  • Anne Teresa De Keersmaeker

    Choreographer Anne Teresa De Keersmaeker has staged dance in museums before, including at the Museum of Modern Art in New York in 2011 and the Tate Modern’s Tanks in London in 2012. With Work/Travail/Arbeid, 2015, which premiered at the Wiels Contemporary Art Centre in Brussels, and then traveled to the Centre Pompidou in Paris and to Tate Modern’s Turbine Hall in London, she has created a piece that is presented differently in each exhibition space. For six hours a day, March 29 through April 2, 2017, her dance company Rosas and the musicians from the ensemble Ictus will be performing the

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  • Heide Hinrichs

    Heide Hinrichs is a Brussels-based artist whose work will be featured in the debut Kathmandu Triennale, “The City, My Studio / The City, My Life,” curated by Philippe van Cauteren. For On Some of the Birds of Nepal (Parting the Animal Kingdom of the East), 2017, Hinrichs is bringing a volume of original drawings commissioned by Brian Hodgson between 1825 and 1857 from the Natural History Museum in London back to the place of its origin. The triennial is on view from March 24 through April 9, 2017.

    THE IDEA OF CONFINEMENT in Brian Hodgson’s twenty-three years of being enclosed within the Kathmandu

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