Candice Lin made Seeping, Rotting, Resting, Weeping, 2021, in the isolation and inertia of the coronavirus pandemic. The installation, which also marks her first solo museum show, strains against that sadness. Centered in and around a collapsible, movable, wearable tent, Lin’s latest work draws on the ways she found connection over the last eighteen months, and creates a setting where others might find the same. But connection is double-edged: The installation references the sometimes gradual, often violent ways cultures meet and intermingle, creating new hybrids and then moving on. The exhibition