COLUMNS

  • Tyree Guyton

    What is a monument? The Detroit-based artist Tyree Guyton has long asked this question, beginning with his ongoing site-specific installation The Heidelberg Project, 1986–, which has entailed transforming his childhood neighborhood into a living museum. Now, for Philadelphia’s citywide public art and history project Monument Lab, Guyton is creating The Times, 2017, a massive mural of caricature-styled timepieces on a former factory in the city’s Kensington neighborhood. The work will be on view at the Impact Services building on A Street and East Indiana Avenue from September 16 through November

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  • Brendan Fernandes

    Brendan Fernandes’s practice straddles the intersection of art and dance, addressing questions of labor, queerness, colonialism, and the formation of identity. For the New York nonprofit Recess, Fernandes has produced Steady Pulse, a project which comprises Minimalist-inspired sculptural elements and a series of events that call to mind the Pulse massacre in Orlando and the vitality of the body in times of political precarity. Every Tuesday and Thursday from 3 to 6 PM, through August 26, 2017, dancers will hold open rehearsals of the collaborative dance piece Hit Back. On August 19, 2017, from

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  • Aman Mojadidi

    Afghan-American artist Aman Mojadidi works largely on site-specific projects that combine qualitative research, traditional storytelling, postmodern narrative strategies, and mixed-media installations to approach themes such as belonging, identity politics, conflict, and migration. His latest installation, Once Upon a Place, 2017, comprises three phone booths that are wired to relay dozens of oral histories told by immigrants living throughout New York City. Mojadidi recorded the stories during his residency with Times Square Arts. The work will be on view in the heart of Times Square (Forty-Sixth

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  • Rey Akdogan

    Rey Akdogan’s works touch on invisible standards and everyday objects, such as crash rails, in order to mine emotional reactions and systemic analysis. The latest exhibition of concise gestures by the New York–based artist is on view at Hannah Hoffman Gallery in Los Angeles through August 26, 2017.

    I AM INTERESTED IN MOTION, our everyday lives, and how we move through space. Each of my works extracts elements from much larger systems. And usually they are standard systems that perform specific tasks in our everyday lives. A standard is something that—if it works well—we don’t usually register.

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  • John Giorno

    Ugo Rondinone’s massive project “I ♥ John Giorno” is a love letter to the titular poet—and Rondinone’s husband—which originally opened in 2015 at the Palais de Tokyo in Paris before coming to New York this summer. The exhibition, a major retrospective of John Giorno’s work, is also a homage, with contributions from artists such as Billy Sullivan, Verne Dawson, Elizabeth Peyton, Anne Collier, and Judith Eisler. “I ♥ John Giorno” is spread across twelve institutions throughout the city, including the Swiss Institute, Red Bull Arts New York, New York University’s 80WSE

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  • Kishio Suga

    A founding member of the Japanese art movement Mono-ha, Kishio Suga was born in Morioka, Japan, in 1944 and currently lives and works in Ito City, Japan. Suga’s first solo museum show in the United States, which he discusses below, is on view at Dia:Chelsea in New York through July 29, 2017.

    AT FIRST, Dia requested a past work, but when I saw the space, a former marble-cutting factory, I felt that I wanted to do something new. I imagined a show of work that would contend with the height of the tall ceiling—something not flat, but three-dimensional and solid. I think there is a profound difference

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  • Trevor Paglen

    Trevor Paglen is the first artist-in-residence at the Cantor Arts Center at Stanford University. The exhibition “The Eye and the Sky: Trevor Paglen in the Cantor Collection” places his photographic series of predator drones, “Time Study (Predator; Indian Springs, NV),” 2010, alongside photographs by artists such as Eadweard Muybridge, Edward Steichen, and Eve Sonneman from the Cantor’s permanent collection. Earlier this year, the Cantor also commissioned Paglen’s multimedia performance Sight Machine. Below, he discusses issues of surveillance in the show, which is on view through July 31, 2017,

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  • Bertrand Bonello

    Released mere months after the series of terrorist attacks in Paris in November 2015, Bertrand Bonello’s provocative film Nocturama (2016) centers on a gang of French teenagers, played by actors and nonprofessionals, who conspire to blow up national and corporate landmarks throughout the city in a wave of coordinated bombings. It will be released from Grasshopper Film on August 11, 2017, and will play at theaters in New York before a larger US tour this September. The Film Society at Lincoln Center will also host “Deeper into Nocturama” from August 18 to August 24, 2017, a program featuring

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  • Sam Gilliam

    Sam Gilliam is a Washington, DC–based artist whose vibrantly hued unstretched canvas Yves Klein Blue, 2017, will be draped across the entrance to the Giardini’s central pavilion at the Fifty-Seventh Venice Biennale until the show closes on November 26, 2017. Here, Gilliam speaks of his earlier participation in the Biennale, forty-five years ago, and his continued investigation into the expanded field of painting. His work is also featured in “Soul of a Nation: Art in the Age of Black Power,” which will be on view at Tate Modern from July 12 to October 22, 2017.

    IN VENICE, I’m showing Yves Klein

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  • Emily Roysdon

    Emily Roysdon’s exhibition “scenic, say” at Kunsthalle Lissabon marks a transitional moment in the artist’s work as she shifts from her site-specific performance and text project Uncounted, 2014–17. Here, the Stockholm-based artist discusses moving forward and creating spaces for both “alive time” and loss. The show is on view through September 2, 2017.

    WHEN KUNSTHALLE LISSABON contacted me about doing an exhibition a year and a half ago, I imagined I’d soon be stepping out of my project Uncounted. Uncounted began as a collection of textual fragments, phrases, and questions that influence each

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  • FISCHERSPOONER

    FISCHERSPOONER is the dynamic duo Warren Fischer and Casey Spooner, who have been joined by many collaborators during their nearly two decades of creativity. Their latest output includes an upcoming album from Ultra Records, cowritten and coproduced by Michael Stipe with additional production by BOOTS on the lead single “Have Fun Tonight,” and released in time for New York City Pride; an exhibition at the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna, on view from June 30 through October 29, 2017; and an artist’s book designed by Nicolas Santos—all titled SIR. Here, they discuss

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  • Raymond Depardon

    Acclaimed French photographer and documentarist Raymond Depardon revisits his photographic series “Correspondance New-Yorkaise,” 1981, which occasioned a turning point in his career and a shift from photojournalism to an approach that blended photography and writing. In 2017 he updated this project by once again taking a photo a day for the French newspaper Libération, which were also accompanied by a short text. The two iterations of the series are being presented together at the French Institute Alliance Française in New York until July 1, 2017. Depardon’s latest documentary, 12 Jours (Twelve

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