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Cover, spiral from top right: Alex Bag, Coven Services—Demo Reel, 2004. Installation view, Elizabeth Dee Gallery, New York, 2004. Francis Bacon, Portrait of Michel Leiris, 1976, oil on canvas, 13 3/8 x 11 3/8". Lee Bontecou, Untitled, 1959–60, welded steel, canvas, wire, and velvet, 58 x 99 x 15". Louise Lawler, Salon Hodler, 1992–93, color photograph, 49 1/4 x 58 1/2". Clifford Ross, Mountain I, 2004, color photograph, 5' 11 1/2" x 10' 10". Ed Ruscha, The End #23, 2002, acrylic and ink on paper, 24 x 30". Francis Alÿs, VW Beetle, 2004. Performance view, Kunstmuseum Wolfsburg, 2004. Photo: Joachin Ali Altschaffel. Catherine Sullivan, Ice Floes Franz Joseph Land, 2004, still from a black-and-white video, 20 minutes. Guy Bourdin, untitled, ca. 1978, color photograph. © Guy Bourdin Estate, 2004. Richard Prince, Untitled, 1983, color photograph, 27 x 40". Jonathan Horowitz, Rainbow American Flag for Jasper in the Style of the Artist’s Boyfriend, 2004, enamel, paint, and glitter on linen, 42 x 60". Lee Lozano, Untitled (Tool), 1964, graphite on paper, 8 1/2 x 10 3/4". View of “A Minimal Future? Art As Object, 1958–1968,” Museum of Contemporary Art, Los Angeles, 2004. From left: Patricia Johanson, Minor Keith, 1967; Ronald Bladen, Three Elements, 1965. Mark Leckey, Made in ‘eaven, 2004, still from a color film in 16 mm, 20-minute loop. Andy Warhol, Self-Portrait, 1963–64, acrylic and silkscreen ink on canvas, 19 3/4 x 15 7/8". © 2004 Andy Warhol Foundation for the Visual Arts/ARS, New York. Sturtevant, Lichtenstein Hot Dog, 1965–66, oil and acrylic on canvas, 24 x 41". Karel Funk, Untitled (Blue Hood) (detail), 2002, acrylic on panel, 16 x 16". On Kawara, June 10, 2004, acrylic on canvas, 10 x 13". Anri Sala, Mixed Behavior, 2003, still from a color DVD, 8 minutes 17 seconds.
Cover, spiral from top right: Alex Bag, Coven Services—Demo Reel, 2004. Installation view, Elizabeth Dee Gallery, New York, 2004. Francis Bacon, Portrait of Michel Leiris, 1976, oil on canvas, 13 3/8 x 11 3/8". Lee Bontecou, Untitled, 1959–60, welded steel, canvas, wire, and velvet, 58 x 99 x 15". Louise Lawler, Salon Hodler, 1992–93, color photograph, 49 1/4 x 58 1/2". Clifford Ross, Mountain I, 2004, color photograph, 5' 11 1/2" x 10' 10". Ed Ruscha, The End #23, 2002, acrylic and ink on paper, 24 x 30". Francis Alÿs, VW Beetle, 2004. Performance view, Kunstmuseum Wolfsburg, 2004. Photo: Joachin Ali Altschaffel. Catherine Sullivan, Ice Floes Franz Joseph Land, 2004, still from a black-and-white video, 20 minutes. Guy Bourdin, untitled, ca. 1978, color photograph. © Guy Bourdin Estate, 2004. Richard Prince, Untitled, 1983, color photograph, 27 x 40". Jonathan Horowitz, Rainbow American Flag for Jasper in the Style of the Artist’s Boyfriend, 2004, enamel, paint, and glitter on linen, 42 x 60". Lee Lozano, Untitled (Tool), 1964, graphite on paper, 8 1/2 x 10 3/4". View of “A Minimal Future? Art As Object, 1958–1968,” Museum of Contemporary Art, Los Angeles, 2004. From left: Patricia Johanson, Minor Keith, 1967; Ronald Bladen, Three Elements, 1965. Mark Leckey, Made in ‘eaven, 2004, still from a color film in 16 mm, 20-minute loop. Andy Warhol, Self-Portrait, 1963–64, acrylic and silkscreen ink on canvas, 19 3/4 x 15 7/8". © 2004 Andy Warhol Foundation for the Visual Arts/ARS, New York. Sturtevant, Lichtenstein Hot Dog, 1965–66, oil and acrylic on canvas, 24 x 41". Karel Funk, Untitled (Blue Hood) (detail), 2002, acrylic on panel, 16 x 16". On Kawara, June 10, 2004, acrylic on canvas, 10 x 13". Anri Sala, Mixed Behavior, 2003, still from a color DVD, 8 minutes 17 seconds.
DECEMBER 2004
VOL. 43, NO. 4
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