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View of Yokohama Triennale 2011, Yokohama Museum of Art. Foreground: Ryan Gander, A sheet of paper on which I was about to draw, as it slipped from my table and fell to the ﬂoor, 2008. Background: Rivane Neuenschwander, O inquilino (The Tenant), 2010. Photo: Kioku Keizo.

YOKOHAMA TRIENNALE 2011

By Doryun Chong

François Morellet, Sphère-frames, 1962, aluminum. Installation view, Musée d’art moderne de la ville de Paris, 1963. From La Troisième Biennale de Paris.

FRANçOIS MORELLET

Owen Land (George Landow) during the filming of On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious or Can the Avant-Garde Artist Be Wholed?, ca. 1977. Photo: Friedl Kubelka.

By P. Adams Sitney

Aki Kaurismäki, Le Havre, 2011, still from a color film in 35 mm, 93 minutes. From left: Marcel Marx (André Wilms) and Monet (Jean-Pierre Darroussin).

AKI KAURISMäKI’S LE HAVRE

By James Quandt

Robert Kramer and John Douglas, Milestones, 1975, still from a black-and-white and color film in 16 mm, 195 minutes.

ROBERT KRAMER’S MILESTONES

By Melissa Anderson

The original cast of Four Saints in Three Acts, onstage at the Wadsworth Atheneum, Hartford, 1934. Photo: Harold Swahn.

FOUR SAINTS IN THREE ACTS

By Steven Watson

Interior of the Leopard at des Artistes, New York, 2011. Photo: Melissa Hom.

THE LEOPARD AT DES ARTISTES

Ben Venom, Don’t Wake Me Lucifer!, 2010, handmade quilted heavy metal T-shirts, fabric, batting, thread, 83 x 95".

“HOME OF METAL”

Omar Souleyman Group performing at the Paredes de Coura Festival, Praia do Tabuão, Portugal, August 17, 2011. Photo: Filipa Oliveira/Palco Principle.

THE OMAR SOULEYMAN GROUP

By Derek Bermel

Marcus Bachmann at a National Press Club luncheon, Washington, DC, July 28, 2011. Photo: Jason Reed/Reuters.

RIGHT-WING MASCULINITY

By Glenn O’Brien

Zago Architecture, A Big Plan for Rialto, California: Property with Properties, 2011.

“FORECLOSED: REHOUSING THE AMERICAN DREAM”

November 2011

Haris Epaminonda, Tarahi IIII, 2007, still from a color video, 1 minute 27 seconds.

1000 WORDS: HARIS EPAMINONDA

Cy Twombly, Triumph of Galatea, 1961, oil, crayon, and pencil on canvas, 9' 7 7/8" x 15' 10 3/8".

MARKS OF DISTINCTION: CY TWOMBLY REMEMBERED

Cy Twombly, Olympia, 1957, oil-based house paint, lead pencil, colored pencil, and wax crayon on canvas, 78 3/4 x 104".

ROSALIND E. KRAUSS

By Rosalind E. Krauss

Cy Twombly in his studio, Gaeta, Italy, 1995. Photo: François Halard.

ARTHUR C. DANTO

By Arthur C. Danto

View of “Cy Twombly: The Sculpture,” 2001, National Gallery of Art, Washington, DC. Foreground: Thermopylae, 1991. Background, from left: Untitled, 1984; Thermopylae, 1992; Untitled, 1987.

By Jeffrey Weiss

Cy Twombly, Lepanto VII, 2001, acrylic and wax crayon on canvas, 7' 1 1/4" x 10' 2 3/4". From the twelve-panel series “Lepanto,” 2000–2001.

By Robert Morris

Cy Twombly, Say Goodbye, Catullus, to the Shores of Asia Minor, 1994, triptych, oil, acrylic, crayon, and graphite on canvas, left panel 13' 1 1/2" x 9' 9"; central panel 13' 1 1/2" x 32' 6"; right panel 13' 1 1/2" x 9' 9".

DOROTHEA ROCKBURNE

By Dorothea Rockburne

Alina Szapocznikow, Madonna of Krużlowa (Motherhood), 1969, pigmented polyester resin, photographs, gauze, 16 1/2 x 20 1/2 x 7".

TOUCHING FROM A DISTANCE: THE ART OF ALINA SZAPOCZNIKOW

By Adam Szymczyk

Adam Pendleton, System of Display, L (LIGHT/Godard, Made in U.S.A., 1966), 2010, silk-screen ink on glass and mirror, 48 7/8 x 48 7/8 x 3".

THE PARALLAX VIEW: THE ART OF ADAM PENDLETON

By Tom McDonough

Rachel Harrison, Alexander the Great, 2007, mixed media, 87 x 91 x 40".

ECCE HOMO: ART AND SUBJECTHOOD

By Isabelle Graw

Photo: Jack Delano.

A project by Duncan Campbell

By Duncan Campbell

Paz de la Huerta posing as Michele Abeles at Rob Pruitt’s 2010 Art Awards, Webster Hall, New York, December 8, 2010. Photo: Roger Kirsby.

OPENINGS: MICHELE ABELES

By David Velasco

View of “Ida Ekblad: Poem Percussion,” 2010, Bergen Kunsthall, Norway. Photo: Thor Brødreskift.

OPENINGS: IDA EKBLAD

Luigi Ghirri, Rimini, 1977, color photograph, 5 7/8 x 4". From “La Carte d’après Nature.”

“LA CARTE D’APRèS NATURE”

Matthew Marks Gallery

By David Rimanelli

STERLING RUBY AND LUCIO FONTANA

Andrea Rosen Gallery

By Frances Richard

Sikkema Jenkins & Co.

By Suzanne Hudson

Sean Kelly Gallery

By Jeffrey Kastner

By Barry Schwabsky

DANIELE TAMAGNI/“AFRICOLOR”

Danziger Gallery

By David Frankel

Kate Werble Gallery

By Michael Wilson

By Michael Wilson

MIROSLAV TICHý

By Lauren O’Neill-Butler

LYONEL FEININGER

Whitney Museum of American Art

By Ara H. Merjian

MoMA - The Museum of Modern Art

By Joshua Decter

Artists Space Exhibitions

SIMON DINNERSTEIN

German Consulate General

By Donald Kuspit

Leslie Hewitt, Riffs on Real Time (7 of 10), 2006–2009, color photograph, 30 x 24".

Institute of Contemporary Art

View of “Conrad Freiburg,” 2011.

CONRAD FREIBURG

Linda Warren Gallery

By Daniel Quiles

Dana Harper, Untitled, 2011, collage, 6 x 9".

Hiram Butler Gallery

By Jennifer King

Stephen Shore, Abu Dhabi, 2009, color photograph, 16 x 20".

Aspen Art Museum

By Catherine Taft

Linder Sterling, poster for Buzzcocks’ single “Orgasm Addict,” 1977.

“LOUD FLASH: BRITISH PUNK ON PAPER”

L&M Arts | Los Angeles

Marc Selwyn Fine Art

By Natilee Harren

Mark Leckey, BigBoxStatueAction, 2003/2011. Performance view, May 12, 2011.

By Melanie Gilligan

JULIETTE BLIGHTMAN

By Diana Baldon_

Fred Lonidier, Create-A-Clock, 1978, diptych, mixed media, each panel 15 x 12".

“LINOCUT RELOADED”

Galerie Wagner + Partner

By Jurriaan Benschop

Mahlergruppe, The Great Workaholic, 2011, acrylic on canvas, 57 x 51 1/8".

Galerie Christine Mayer

By Daniela Stöppel

Elizabeth Radcliffe, Caron in Caramac, 2010, tapestry, wool, wood, 32 5/8 x 32 5/8". From “Town-Gown Conflict.”

“TOWN-GOWN CONFLICT”

Kunsthalle Zurich

View of “Mai-Thu Perret,” 2011.

Aargauer Kunsthaus

By Quinn Latimer

View of “Uriel Orlow,” 2011. From left: Anatopism, 2010; Yellow Limbo, 2010.

Locarno, Switzerland

By Hans Rudolf Reust

Jacob Hashimoto, Armada, 1999/2011, 724 boats; wood, cotton, painted metal; dimensions variable.

JACOB HASHIMOTO

Studio la Città

By Marco Meneguzzo

View of “Can Altay,” 2011.

Utrecht, The Netherlands

Casco Office for Art, Design and Theory

By Lars Bang Larsen

José Barrias, Wunderkammer, 2011, mixed media, dimensions variable.

Serralves Museum of Contemporary Art

By Marek Bartelik

Perejaume, Exvotos (detail), 2011, wax; twelve elements, depicted, from left: 13 3/4 x 13 3/4 x 13 3/4", 7 7/8 x 25 1/2 x 7 7/8", 26 5/8 x 7 x 5 1/2", 9 3/4 x 9 3/4 x 9 3/4".

Galería Soledad Lorenzo

By Javier Hontoria

Yeşim Akdeniz Graf, Love, 2011, oil on canvas, 78 3/4 x 90 1/2".

YEşIM AKDENIZ GRAF

Dirimart Istanbul

By Jens Asthoff

View of “Monika Zawadzki,” 2011. Foreground: Dan Perjovschi, Think at Have, 2011. Background: Monika Zawadzki, John & Paul & Ringo & George, 2011.

MONIKA ZAWADZKI

By Markéta Stará

Uri Nir, Second Chance, 2011, still from a black- and-white video, 3 minutes 51 seconds.

Tel Aviv Museum of Art

By Sarah Lehrer-Graiwer

View of “Jitish Kallat,” 2011.

Dr. Bhau Daji Lad Mumbai City Museum

By Zehra Jumabhoy

Lee Wan, 5.06 kg No. 04/60 (detail), 2011, mixed media, dimensions variable.

By Shinyoung Chung

Daido Moriyama, Records No. 15, 2010, black-and-white photograph, 11 3/8 x 9 1/2".

National Museum of Art Osaka

By Brian Sholis

Dane Mitchell, The Smell of an Empty Space (Liquid), 2011, perfume, glass, mirror, clamps, 53 1/8 x 17 1/2 x 96 3/8".

Artspace Aotearoa

By Anthony Byrt

Cover: Cast polyester resin forms produced by Alina Szapocznikow, ca. 1966. Photo: Fabrice Gousset, 2011. — Cover: Cast polyester resin forms produced by Alina Szapocznikow, ca. 1966. Photo: Fabrice Gousset, 2011.

NOVEMBER 2011

VOL. 50, NO. 3

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