Summer 2013 – Artforum

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“INVENTING ABSTRACTION, 1910–1925”

MoMA - The Museum of Modern Art

View of “Eileen Gray” 2013. Transat armchairs, from left: 1926–29, 1926–30, 1930. Photo: Hervé Véronese.

Centre Pompidou

By Maria Stavrinaki

Martin Kippenberger, Korrekte Syntax (Correct Syntax) (detail), 1987, wood, silk-screen print on Plexiglas, stickers, filing-card holder, 48 7/8 x 11 x 18 7/8". From the series “Peter-Skulpturen” (Peter Sculptures), 1987. All works © Estate Martin Kippenberger. Galerie Gisela Capitain, Cologne.

MARTIN KIPPENBERGER

Hamburger Bahnhof

By Isabelle Graw

Garry Winogrand, Los Angeles, ca. 1980–83, gelatin silver print, 8 3/4 x 13 1/2". © The Estate of Garry Winogrand. Garry Winogrand Archive, Center for Creative Photography, University of Arizona.

GARRY WINOGRAND

San Francisco Museum of Modern Art (SFMOMA)

By Joseph McElroy

View of “Mark Leckey: The Universal Addressability of Dumb Things,” 2013. Photo: Andy Keate.

By Alexander Scrimgeour

Thomas McEvilley participating in Marina Abramović’s The Artist Is Present, 2010, Museum of Modern Art, New York, March 9, 2010. Photo: © 2010 Marco Anelli.

THOMAS MCEVILLEY

By Marina Abramović

Kwakiutl mask from British Columbia, n.d., painted wood, 13 1/4 x 7 1/4 x 4 1/4". From “‘Primitivism’ in 20th Century Art: Affinity of the Tribal and the Modern,” Museum of Modern Art, New York, 1984.

THOMAS MCEVILLEY

By David Frankel

Summer 2013

RICHARD ARTSCHWAGER

RICHARD ARTSCHWAGER

Chinua Achebe, London, May 21, 1970. Photo: Corbis.

By Okwui Enwezor

Summer 2013

ELIZABETH PEYTON

By Elizabeth Peyton

By Thelma Golden

By Greil Marcus

Summer 2013

DIEDRICH DIEDERICHSEN

By Diedrich Diederichsen

Summer 2013

Summer 2013

JANE FREILICHER

By Jane Freilicher

Vivian Maier, Untitled (New York), 1954, gelatin silver print. From Vivian Maier: Street Photographer (powerHouse Books, 2011). © Vivian Maier/Maloof Collection.

VIVIAN MAIER: OUT OF THE SHADOWS

By Vince Aletti

Installation in progress for Sarah Sze’s “Triple Point,” 2013, at the United States pavilion, Venice, for the 55th Venice Biennale, May 2013.

SARAH SZE ABOUT THE US PAVILION AT THE 55TH VENICE BIENNALE

By Rirkrit Tiravanija

Stephen Prina, As He Remembered It, 2011, acrylic enamel on polyurethane on plywood, linen, metal. Installation view, Los Angeles County Museum of Art, 2013. Photo: Brant Brogan.

STEPHEN PRINA AT LACMA

By Alex Kitnick

View of “Spectacle: The Music Video,” 2013, Museum of the Moving Image, New York. “Agent Provocateur” section. Photo: Eric Harvey Brown.

“SPECTACLE: THE MUSIC VIDEO”

By Johanna Fateman

Joshua Oppenheimer, The Act of Killing, 2012, HD video, color, sound, 116 minutes. Anwar Congo, Herman Koto, and dancers. Image: Drafthouse Films.

JOSHUA OPPENHEIMER’S THE ACT OF KILLING

By James Quandt

Ulrich Seidl, Paradise: Love, 2012, 35 mm, color, sound, 120 minutes. Beach Boy (Gabriel Nguma Mwarua) and Teresa (Margarethe Tiesel).

ULRICH SEIDL’S PARADISE TRILOGY

By Mattias Frey

Matías Piñeiro, Viola, 2012, HD video, color, sound, 65 minutes. Photo: Cinema Guild

MATíAS PIñEIRO’S VIOLA

Summer 2013

By Sadie Benning

CARL ANDRE: POEMS

Gavin Delahunty, introduction

By Gavin Delahunty

Pavel Büchler, Modern Paintings No. A47 (blue and red abstract, Manchester, August 2007), 1997–2007, reclaimed paint on canvas, 30 x 26 3/4". From “The Confidence Man,” 2011, Tanya Leighton Gallery, Berlin.

2011: ART AND TRANSMISSION

By Michael Sanchez

Illustration from Here Is a Foretaste of Tomorrow, promotional pamphlet for General Motors’ Futurama II, World’s Fair Pavilion, New York, 1964–65.

THE NOW FUTURISM AND THE THEN ZEITGEIST: MIKE KUCHAR’S SINS OF THE FLESHAPOIDS (1965)

Stewart Uoo, Hayley Pisaturo, and Marie Karlberg at Xtapussy LIXXXTAPUSSY party, New York, January 26, 2013.

1000 WORDS: ANTONIO BLAIR, MARIE KARLBERG, AND STEWART UOO

By Michelle Kuo

Eric Owen Moss Architects, Beehive, 2001, Culver City, CA. Photo: Tom Bonner.

CITY OF DUST: ARCHITECTURE AND SUBNATURE IN LOS ANGELES

By David Gissen

Saul Leiter, String,ca. 1955, gelatin silver print, 9 3.4 x 9 3/4".

SAUL LEITER: A PORTFOLIO

Michael Almereyda, introduction

By Michael Almereyda

Michael Rakowitz, May the Arrogant Not Prevail (detail), 2010, found Arabic packaging and newspapers, glue, cardboard, wood, 19' 7 3/4" x 16' 2 7/8" x 3' 1 3/8".

OBJECT TO BE RESTORED: THE ART OF MICHAEL RAKOWITZ

By Dieter Roelstraete

Alistair Frost, Out of Office Auto Reply, 2012, acrylic on linen, 39 3/8 x 31 1/2".

OPENINGS: ALISTAIR FROST

By Martin Herbert

Marisa Merz, Untitled, 2010, mixed media on paper, 98 1/2 x 59 1/8".

Gladstone Gallery | West 21st St

By David Frankel

HELEN FRANKENTHALER

Gagosian Gallery (21)

By Daniel Marcus

David Zwirner | West 19th Street

By Jeffrey Kastner

Marianne Boesky Gallery | 509 West 24th Street

By Robert Pincus-Witten

CATHERINE MURPHY

Peter Freeman, Inc.

JUSTIN MATHERLY

Paula Cooper Gallery | 529 West 21st Street

By Colby Chamberlain

By Barry Schwabsky

Alexander and Bonin

By Barry Schwabsky

BIRGIT JüRGENSSEN

McCaffrey Fine Art | 23 East 67th Street

By Lauren O’Neill-Butler

WALTER ROBINSON

Dorian Grey Gallery

By Donald Kuspit

Ronald Feldman Gallery

Simone Subal Gallery

By Beau Rutland

View of “Barry McGee,” 2013.

Institute of Contemporary Art

Stephen Collier, Untitled, 2013, oil, acrylic, enamel, photocopy, Sheetrock, plywood, 60 x 40".

STEPHEN COLLIER

Acadiana Center for the arts

By Nick Stillman

James Welling, Waterfall, 1981, gelatin silver print, 18 x 14".

Cincinnati Art Museum

By Matthew Biro

Georges Braque, The Round Table, 1929, oil, sand, and charcoal on canvas, 57 3/8 x 44 3/4". © Artists Rights Society (ARS), New York/ADAGP, Paris.

“GEORGES BRAQUE AND THE CUBIST STILL LIFE, 1928–1945”

Mildred Lane Kemper Art Museum

By Daniel Marcus

David Hartt, Mutirão III, 2013, USM Haller table, nine hand-blown glass sculptures, magazine, neon sign, 41 1/4 x 70 x 59".

Corbett vs. Dempsey

By Daniel Quiles

Richard Prince, Untitled (Cowboy), 2012, ink jet and acrylic on canvas, 68 1/2 x 40 1/8".

Gagosian | Beverly Hills

LOUISE NEVELSON

L&M Arts | Los Angeles

By Suzanne Hudson

Richard Telles Fine Art

By Travis Diehl

View of “Friedrich Kuhn,” 2013. From left: Untitled, 1969; Untitled, 1969; Palm Tree, 1969.

By Caoimhín Mac Giolla Léith

BEATRIZ SANTIAGO MUñOZ

By Gilda Williams

The Roberts Institute of Art

By Alexander Scrimgeour

“DAVID BOWIE IS”

Victoria and Albert Museum

Sylvia Sleigh, David Bourdon, 1969, oil on canvas, 30 x 21".

Raqib Shaw, After George Stubbs “Cheetah and Stag with Two Indians”, 2013, oil on canvas, 72 x 108 3/8".

Manchester Art Gallery

By Zehra Jumabhoy

Julia Rometti and Victor Costales, roca jacinto marino blue hyacinth | navy | errant), 2013, concrete tiles, dye,volcanic rocks, 12 5/8 x 78 3/4 x 118 1/8".

JULIA ROMETTI AND VICTOR COSTALES

Jousse Entreprise | 6 rue Saint-Claude

By Mara Hoberman

Marlie Mul, Puddle (Green Tracks), 2013, sand, stones, resin, 3/8 x 33 1/2 x 35 1/2".

ANDREI MONASTYRSKI

By Brigitte Huck

Erina Matsui, Nightmare Before New Year, 2013, oil on canvas, wire, 27 1/2 x 27 1/2 x 3/4".

Kunsraum Kreuzberg (Künstlerhaus Bethanien) / Urban-art.info

By Jens Asthoff

Carlo Benvenuto, Untitled, 2013, C-print, 72 3/4 x 63".

CARLO BENVENUTO

Galleria Suzy Shammah

By Alessandra Pioselli

View of “Rudolf Stingel,” 2013. Rug: Untitled, 2013. On wall: Untitled (Franz West), 2011.

By Marco Tagliafierro

Armando Andrade Tudela, UNSCH/Pikimachay, 2012, 16-mm film transferred to digital video, color, silent, 11 minutes 26 seconds.

ARMANDO ANDRADE TUDELA

Galería Elba Benitez

By Javier Hontoria

Philip Aguirre y Otegui, Matrasdrager (The Mattress Porter), 2001, concrete, foam rubber, 82 5/8 x 42 1/8 x 70 7/8".

PHILIP AGUIRRE Y OTEGUI

By Jos Van den Bergh

Rui Chafes, Tranquila ferida do sim, faca do não (Quiet Wound of the Yes, Knife of the No), 2000–13, iron, light projectors, each element 118 1/8 x 10 5/8 x 30 3/4", overall dimensions variable.

Galeria Filomena Soares

By Filipa Oliveira

View of “Lukáš Machalický,” 2013. Levels: Untitled, 2013. Tables: Untitled, 2013. From the series “Raut” (Reception) 2013–.

Liberec, Czech Republic

LUKáš MACHALICKý

Galerie Die Aktualităt des Schönen

By Markéta Stará

Eric Baudelaire, The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images, 2011, HD video and Super 8 transferred to HD video, color and black-and-white, sound, 66 minutes.

ERIC BAUDELAIRE

Beirut Art Center

By Kaelen Wilson-Goldie

Jonas Staal, Monument to Capital—Part II. Historicizing the Future: A Proposal, 2013, light box, 12 3/8 x 24 1/4 x 1 3/8"; audio component, 3 minutes 58 seconds.

Steeve Bauras, 3K, 2013, mixed media installation with performance. From “Cyclicités,” 2013.

“CYCLICITéS”

Galerie Le Manège, Institut Français du Sénégal

By Cathryn Drake

assume vivid astro focus, Transgeométricas (Transgeometrics) (detail), 2013, paint marker, automotive paint, 68 x 48 1/2 x 7".

ASSUME VIVID ASTRO FOCUS

Casa Triângulo

By Camila Belchior

Laercio Redondo, Carmen Miranda—Uma ópera da imagem (Carmen Miranda—An Opera of the Image) (detail), 2010, sound, mobiles, mixed media, dimensions variable.

LAERCIO REDONDO

Casa França-Brasil

By Kaira M. Cabañas

Gimhongsok, Mr. Kim, 2012, resin, pants, sneakers, 69 5/8 x 49 1/4 x 18 1/8".

PLATEAU, Samsung Museum of Art

Almagul Menlibayeva, Kurchatov 22, 2012, five-channel HD video projection, color, sound, 26 minutes. From the 7th Asia Pacific Triennial of Contemporary Art.

THE 7TH ASIA PACIFIC TRIENNIAL OF CONTEMPORARY ART

Queensland Art Gallery | Gallery of Modern Art

By Anthony Byrt

Cover: Carl Andre, intimate (detail), 1963, typewriter ink on paper, rubber cemented to backing page, 10 3/4 x 8". © Carl Andre/Licensed by VAGA, New York, NY. — Cover: Carl Andre, intimate (detail), 1963, typewriter ink on paper, rubber cemented to backing page, 10 3/4 x 8". © Carl Andre/Licensed by VAGA, New York, NY.

SUMMER 2013

VOL. 51, NO. 10

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