April 2014 – Artforum

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View of “Michael Snow: Photo-Centric,” 2014. Foreground: In Medias Res, 1998. Background, from left: Paris de jugement Le and/or State of the Arts, 2003; Multiplication Table, 1977; Waiting Room, 1978; Digest, 1970. Photo: Constance Mensh.

Philadelphia Museum of Art

View of “Lutz Bacher: SNOW,” 2013–14. Photo: Stefan Altenburger.

Kunsthalle Zurich

Six stills from Mireia Sallarès’s Las Muertes Chiquitas (Little Deaths), 2009, digital video, color, sound, 286 minutes. Top left: Mireia Sallarès.

MIREIA SALLARèS’S LITTLE DEATHS

Lav Diaz, Norte, Hangganan ng Kasaysayan (Norte, the End of History), 2013, HD video, color, sound, 250 minutes. Fabian Viduya (Sid Lucero).

LAV DIAZ’S NORTE, THE END OF HISTORY

By James Quandt

April 2014

SEMIOTEXT(E)’S SCHIZO-CULTURE

By Jim Fletcher

Terence Young, From Russia with Love, 1963, 35 mm, color, sound, 115 minutes. Ernst Stavro Blofeld (Anthony Dawson).

LAURENCE RICKELS’S SPECTRE

By David Rimanelli

Tod Williams Billie Tsien Architects, American Folk Art Museum, 2001, New York. Photo: Dan Nguyen/Flickr.

PRESERVATION AND MOMA’S PROPOSED EXPANSION

By Jorge Otero-Pailos

THE MOMA EXPANSION

Superflex, The Campaign (detail), 1994, billboard, offset print on paper, vitrine with orange bag, dimensions variable. Photo: Anders Sune Berg.

By Lars Bang Larsen

April 2014

PAULINE OLIVEROS

By Pauline Oliveros

SHOCK VALUE: SIGMAR POLKE’S 1976 RETROSPECTIVE IN DÜSSELDORF

By Christine Mehring

Berges furniture store, site of “Leben mit Pop. Eine Demonstration für Kapitalistischen Realismus” (Living with Pop: A Demonstration for Capitalist Realism), Flingerstraße 11, Düsseldorf, October 1963. Photo: Reiner Ruthenbeck.

SPECULATIVE REALISM: AN INTERVIEW WITH RENÉ BLOCK

Speculative proposal for renovation of housing block in Paris. From Actuel 12 (September 1971).

TOWARD AN ARCHITECTURE OF ENJOYMENT

Henri Lefebvre, introduction by Łukasz Stanek

By Henri Lefebvre, Łukasz Stanek

Martin Boyce, A Thousand Future Skies, 2014, painted steel and glass. Installation view, Glasgow School of Art. Photo: Keith Hunter.

1000 WORDS: STEVEN HOLL AND MARTIN BOYCE

April 2014

“THIS IS ART”: ANATOMY OF A SENTENCE

Thierry de Duve on aesthetic judgment

By Thierry de Duve

Marina Pinsky, Instruction Manual, 2013, twelve gelatin silver prints. Installation view, Clearing, Brussels.

OPENINGS: MARINA PINSKY

By Beau Rutland

Doug Wheeler, LC 71 NY DZ 13 DW, 2013, reinforced fiberglass, flat white titanium dioxide latex, LED light, DMX control, 64' 3" x 67' 7 3/8" x 18' 3".

David Zwirner | 519 West 19th Street

By Jeffrey Kastner

By Barry Schwabsky

By Barry Schwabsky

Eleven Rivington

By David Frankel

Paula Cooper Gallery | 529 West 21st Street

By Donald Kuspit

Nicelle Beauchene Gallery

By Suzanne Hudson

James Cohan | 48 Walker St

JOSEPHINE HALVORSON

Sikkema Jenkins & Co.

KAZUKO MIYAMOTO

INVISIBLE-EXPORTS

By Lauren O’Neill-Butler

LOS ANGELES POVERTY DEPARTMENT

By Colby Chamberlain

By Nikki Columbus

By Prudence Peiffer

Paul Cowan, five works from the series “BCEAUSE THE SKY IS BULE,” 2013–, chroma-key blue paint on canvas, each panel 78 x 41".

Shane Campbell Gallery | North Harvey Avenue

By Jacob Proctor

Rodney McMillian, Untitled, 2011, carpet, 10' 4" x 15' 7" x 2' 5". From “Black in the Abstract, Part 2: Hard Edges/Soft Curves,” from “Outside the Lines.”

“OUTSIDE THE LINES”

Contemporary Arts Museum Houston

By Graham Bader

Liz Larner, 110 Fwy, June Gloom and Shrimp Tacos, 2013, glass, steel, bacterial culture on nutrient agar, detritus from 110 Freeway, sampling of “June Gloom,” shrimp tacos, 13 1/4 x 13 1/4 x 6 1/4".

By James Nisbet

WILLIAM E. JONES

David Kordansky Gallery

By Natilee Harren

Los Angeles County Museum of Art (LACMA)

By Travis Diehl

Night Gallery South

Christian Jankowski, Heavy Weight History (Brotherhood of Arms), 2013, ink-jet print, 55 x 73 1/2".

CHISTIAN JANKOWSKI

Lisson Gallery | 27 Bell Street | London

By Sylwia Serafinowicz

ERIK VAN LIESHOUT

By Gilda Williams

Jef Geys, Esmeralda, 1970, ink, colored pencil, black-and-white C-print, offset print, 26 x 17 5/8". From the series “Passeports de vaches” (Cow Passports), 1965–.

By Daniel Quiles

ANNE-MARIE SCHNEIDER

Peter Freeman, Inc. | Paris

By Mara Hoberman

View of “Angela Bulloch,” 2014.

Esther Schipper

By Jens Asthoff

AXEL KASSEBöHMER

Sprüth Magers | Berlin

By Jurriaan Benschop

Capitain Petzel

Galerie Thomas Flor

By Astrid Mania

Juan Pérez Agirregoikoa, the machinist leninist forest, 2013, acrylic and charcoal on paper, 63 x 78 3/4".

JUAN PéREZ AGIRREGOIKOA

By Noemi Smolik

Chiara Fumai, I Did Not Say or Mean “Warning,” 2013, mixed media with video (color, sound, 20 minutes 27 seconds). Installation view.

APALAZZO GALLERY

By Marco Tagliafierro

Thomas Hartmann, Ohne Titel (Bibliothek) (Untitled [Library]), 2013, oil on canvas, 47 1/4 x 70 7/8".

THOMAS HARTMANN

Christine König Galerie

By Caroline Lillian Schopp

Galerie Martin Janda

By Brigitte Huck

Marc-Antoine Fehr, Der Verschollene (The Man Who Disappeared), 2013, oil on canvas, 9' 1/4" x 13' 1 1/2".

MARC-ANTOINE FEHR

Galerie Peter Kilchmann | Zahnradstrasse 21

By Hans Rudolf Reust

Ewa Juszkiewicz, Untitled, 2013, oil on canvas, 51 1/8 x 39 3/8".

EWA JUSZKIEWICZ

By Sylwia Serafinowicz

Ingrid Hora, Positions for leading, 2013, ink-jet print, 18 7/8 x 26 3/8".

By Murtaza Vali

Documentation of “Dropping Event” by Hi Red Center at Ikenobo Hall, Tokyo, October 10, 1964. Photo: Minoru Hirata. From “Great Crescent.”

“GREAT CRESCENT”

By Stephanie Bailey

Lee Kit, What to do?, 2014, mixed media with video (color, silent, 5 minutes 24 seconds). Installation view.

By Stephanie Bailey

Nguyẽn Trinh Thi, Unsubtitled, 2010,video projections (color, various durations, sound) on wood, dimensions variable. From the Singapore Biennale 2013.

SINGAPORE BIENNALE 2013

Singapore Art Museum | Various Venues

“PARADISE LOST”

Nanyang Technological University Centre for Contemporary Art

Cover: Michael Snow, In Medias Res (detail), 1998, C-print on Lexan, 8' 7" x 11' 7 5/8". — Cover: Michael Snow, In Medias Res (detail), 1998, C-print on Lexan, 8' 7" x 11' 7 5/8".

APRIL 2014

VOL. 52, NO. 8

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