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March 2018
Books
THE ZINE AGE
J. Hoberman on Tuli Kupferberg’s Yeah
March 2018
Books
UP THE ANTI
Rachel Churner on Hans Richter’s Dada: Art and Anti-Art
March 2018
Books
THE WHOLE IS THE FALSE
Saul Anton on Hito Steyerl’s Duty Free Art
March 2018
Film
AN ABUNDANCE OF FLOWERS
Amy Taubin on Rainer Fassbinder’s Eight Hours Don’t Make a Day
March 2018
Film
WHEN LARRY MET LAWRENCE
Melissa Anderson on Ken Russell’s Women in Love
March 2018
Music
MATTERS OF THE HEART
Christoph Cox on Milford Graves
March 2018
Performance
HOW DO YOU KNOW?
Catherine Damman on Richard Maxwell’s Paradiso
March 2018
Features
ART IS MEDICINE
Helen Molesworth on the work of Simone Leigh
March 2018
Features
YINKA SHONIBARE MBE
Talks About Wind Sculpture (SG) I, His Forthcoming Project With The Public Art Fund in New York
March 2018
Features
DISTANT SHORES
Kaelen Wilson-Goldie on the art of Ahmed Morsi
March 2018
Features
SIGNIFICANT DIFFERENCE
Jacques Herzog talks with Julian Rose
March 2018
Features
ALL THE TIME IN THE WORLD
Maria Stavrinaki on art and prehistory
March 2018
Features
CLOSE UP: HATCHET JOB
Sam McKinniss on Grant Wood’s Parson Weems’ Fable, 1939
Cover: Jesse Darling, Prophylactics Charms & Placebos, 2017, various appropriations approaching betterment, Band-Aids. Special project for Artforum.
Cover: Jesse Darling, Prophylactics Charms & Placebos, 2017, various appropriations approaching betterment, Band-Aids. Special project for Artforum.
MARCH 2018
VOL. 56, NO. 7
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